MOUND // HILL // HEAP2023 
CLIMAVORE Assembly
Museo della Civiltà, Rome
CLIMAVORE Assembly
Museo della Civiltà, Rome
The CLIMAVORE Assembly brought together an international gathering of farmers and growers, artists, chefs, cooperatives, hospitality businesses, researchers, cultural thinkers, environmentalists, policymakers, and live seed custodians involved in reimagining the role of museums and cultural institutions as agents of transformation within the climate crisis.
Taking place over three days, the Assembly was situated in the great hall of the Museo della Civiltà in Rome, a monument constructed by Mussolini’s government in the 1940s for the planned Esposizione universale. The proposed assembly setting evokes a 1984 termite infestation that gnawed away at the surrounding fascist masterplan and timber models of Rome. A series of four scaled up termite mounds sit within the vast space, creating an intimacy for the seated participants and reducing the echo for standing speakers. The encircling heaps were constructed from produce boxes and string, such that all materials were entirely donated to local food cooperatives.
Taking place over three days, the Assembly was situated in the great hall of the Museo della Civiltà in Rome, a monument constructed by Mussolini’s government in the 1940s for the planned Esposizione universale. The proposed assembly setting evokes a 1984 termite infestation that gnawed away at the surrounding fascist masterplan and timber models of Rome. A series of four scaled up termite mounds sit within the vast space, creating an intimacy for the seated participants and reducing the echo for standing speakers. The encircling heaps were constructed from produce boxes and string, such that all materials were entirely donated to local food cooperatives.
Collaborators and Credits 
Photos - Stan Chick, Maggie Law, Giulia Valentini, and Mohamed Keita
  
Cooking Sections (Daniel Fernández Pascual & Alon Schwabe),
 Merve Anil, Rebecca Weller, Hayden James, Mariam Fakhori, Alisha Raman, Mak Yuen Ching, Myah Walters, Yuhui Qiang, Victoria Chong, Sila Cakir, Myah Walters, Maggie Law, Krisana Wong, Daria Szmucer, Christina Ly, Dani Burrows, Rosa Whiteley, Enrico Milazzo, CLIMAVORE. 
Photos - Stan Chick, Maggie Law, Giulia Valentini, and Mohamed Keita
Exhibitions, Publications and Awards 
CLIMAVORE Assembly, Rome
- CLIMAVORE - 2023
Seed Margins - pp 91-109 - Cooking Sections and Enrico Milazzo - Common Sensing, Ed. Riccardo Badano, Tomas Percival, and Susan Schuppli; Ass. Ed. Asli Uludağ - Spector Books and CRA Press - 2025.
Cooking Sections - pp 55-58 - Visible: Art as Policies for Care: Socially Engaged Art 2010 - M. Angelotti, M. Lucchetti, and J. Wielander, - Rome, Italy - Nero - 2024
Seed Margins - pp 91-109 - Cooking Sections and Enrico Milazzo - Common Sensing, Ed. Riccardo Badano, Tomas Percival, and Susan Schuppli; Ass. Ed. Asli Uludağ - Spector Books and CRA Press - 2025.
Cooking Sections - pp 55-58 - Visible: Art as Policies for Care: Socially Engaged Art 2010 - M. Angelotti, M. Lucchetti, and J. Wielander, - Rome, Italy - Nero - 2024
Metabolising the Museum 
    
In 1984 the Museo della Civiltà was infested with termites. These insects began to eat away at the fascist edifice and its collections, eventually eroding the timber model of Ancient Rome, gnawing the Imperial city.1
The CLIMAVORE assembly also picks away at its institutional host, reconnecting food structures and cultural bodies to become agents of climate transformation.
The assembly inhabits a series of four mounds (or ant hills) within the museum's charged topography. Here the inhabitants become a network of termites, metabolising and reimagining the structures of the climate crisis through the lens of food.
    
In 1984 the Museo della Civiltà was infested with termites. These insects began to eat away at the fascist edifice and its collections, eventually eroding the timber model of Ancient Rome, gnawing the Imperial city.1
The CLIMAVORE assembly also picks away at its institutional host, reconnecting food structures and cultural bodies to become agents of climate transformation.
The assembly inhabits a series of four mounds (or ant hills) within the museum's charged topography. Here the inhabitants become a network of termites, metabolising and reimagining the structures of the climate crisis through the lens of food.
Notes 
1 - Victor Plahte Tschudi, “Plaster Empires: Italo Gismondi’s Model of Rome,” Journal of the Society of Architectural Historians 71:3 (2012): 386-403, https://doi.org/10.1525/jsah.2012.71.3.386.
1 - Victor Plahte Tschudi, “Plaster Empires: Italo Gismondi’s Model of Rome,” Journal of the Society of Architectural Historians 71:3 (2012): 386-403, https://doi.org/10.1525/jsah.2012.71.3.386.